- Joined
- Dec 28, 2010
- Messages
- 5,052
- Reaction score
- 6,084
Figured I'd start this one out. I'll be registering for the MCAT first thing tomorrow. Who else is taking it on this date? How do you all plan on studying over the school year?
You should do this timed
--------------
Much has been said and rightfully so about Gerald Vizenors attack on terminal creeds. They are, essentially, an intellectual stopping point, the false and arrogant moment when an individual or institution claims that he/she/it fully understands something or someone. Louis Owens describes terminal creeds as beliefs that seek to fix, to impose static definitions upon the world, adding: Such attempts are destructive, suicidal, even when the definitions appear to arise out of revered tradition. Terminal creeds damage adherents because they presume nothing more can be learned. Terminal believers limit their own imaginations. According to Vizenor, they exist within the defunct vacuum of their own minds, forever separated from other people, ideas, and the world around them.
Vizenor writes against one-dimensional notions of culture and identity not only because such ideological absolutism is simplistic and destructive, but also, and more importantly, because terminal beliefs divide people from each other and from themselves. In an interview, Vizenor said: I think [anthropology] separates people. The methodologies of the social sciences separate people from the human spirit. They separate people through word icons, methods that become icons because theyre powerful, because theyre rewarded by institutions separate them from a kind of intellectual humanism, an integrity of humanism and the human spirit. One of Vizenors goals in Bearheart: The Heirship Chronicles is the opposite: he wants to foster a genuine intellectual connection among individuals a shared intellectuality centered upon the imagination.
Bearheart poses many challenges, and readers risk falling into the easy trap of terminal belief if they fail to recognize not only what Vizenor criticizes in Bearheart, but also what he celebrates, namely, the ability of the imagination to link people together beyond restrictive definitions. Bearheart is an effort to foster freedom (intellectual, spiritual, physical, etc.) and to heal wounds (historical, social, personal, etc.).Vizenors trickster-like presentation with its paradoxical blend of tragedy, satire, comedy, and pathos compels readers to use their imaginations to interpret, challenge, and redefine conventional ways of thinking. Readers must struggle through an intentionally difficult novel that allows them to re-imagine the world and themselves. The process necessarily cultivates an integrity of humanism and the human spirit, to use Vizenors phrasing. The interpretive struggle heightens personal intellectuality and spirituality, which, according to Vizenor, has the power to bring people together.
This paradox communal connection via intellectual individuality is at the core of Vizenors message. The fictional world of Bearheart which is to say, the modern world that we occupy is broken, not just economically and materially, but imaginatively, a far more dangerous problem. Vizenor hopes to repair it by linking people together again, not necessarily within a single clan, as Silko does in her performative novel Ceremony, but within a community of active readers and thinkers.
Some of Vizenors strategies are quite straight-forward. His fictional author, Bearheart, addresses readers directly even intimately in the introductory Letter to the Reader, creating an immediate connection between narrator and audience that helps to break down the barrier separating and isolating individuals. Bearheart invites readers into his private reflections regarding a personal story that, nevertheless, has larger communal and global applications.
Nonetheless, Bearheart is elusive, to say the least. He teases readers with information, forcing them to fill in the gaps to make sense of the emerging narrative. This narrative technique serves a larger purpose. Reader response critic, Wolfgang Iser whom Vizenor quotes in the headnotes of Narrative Chance argues that modern texts, which are often fragmented and enigmatic, make us aware of the nature of our own capacity for providing links. As readers, we must complete the text; the end-result is an intellectual collaboration. Iser states that the literary text is something like an arena in which reader and author participate in a game of the imagination. Vizenor takes this game of imagination to its logical extreme, pushing readers to be more active and creative in the reading process. Their imaginative output necessarily designates readers as partners in the creation of meaning. Not only are they constantly forced beyond terminal creeds, but their collaboration posits the imagination as a shared site of intellectual rebellion and freedom.
Readers must struggle through a demanding novel that very purposefully challenges them to re-create the world and themselves. Vizenor has stated as much about Native texts: If its written by a tribal person about tribal experience, it shouldnt be so easily accessible to bourgeois consciousness. Vizenor offers no easy answers or simple platitudes. Rather, he creates sometimes bizarre and often contradictory stories that defy most stereotypes. Craig Womack describes Vizenors famously difficult style; its impenetrability, abstraction, theoretical jargon, puzzling contradictions. Parsing Vizenors prose and coming up with a reasonable explanation is a formidable task. Vizenor forces readers to untangle complex theories and philosophies, and he complicates their efforts on purpose. In an interview, he states: I choose words intentionally because they have established multiple symbolic meanings, and sometimes I put them in place so that theyre in contradiction, so that you can read it several ways. You can read it just for its surface trace and definition lexical definition or you can change the definition in this one and leave that one the same and theres contention or agreement. Vizenor intensifies the interpretative process by forcing flexibility from the reader.
Coulombe, Joseph L.. Reading Native American Literature. Taylor & Francis, 2011.
1. How would the author describe an indian tribe?
- - forever shfting like water in a river that can not be easily mastered or understood
- - similar to indigienous subcontinent Indians
- - mostly similar except for a few intellectual differences
- - beyond bourgeois consciousness
2. Bearheart is most likely?
- - a premed who spends too much time trolling on SDN
- - a modern day Indian chief
- - an indian author
- - a professor of anthropology
3. Two people read Bearheart and come to two competing conclusions about the book. This is most likely due to
- - a difference of lexical definitions
- - a conflict in stereotypes exploited by the author
- - the inability of the author to clearly state his intentions
- - the successful display of art over journalism
4. It can be inferred from the reading that the world of Bearheart most likely refers to:
I. the time of an old Indian clan
II. the 2010's
III. Indians during the creed wars of the 1700s
- - I only
- - III only
- - I and II
- - I, II, and III
5. As hinted by the passage, how would does the author feel about Vizenor?
- - perplexed at his writing style
- - mildy amused at the challenges he has for readers
- - euphoric
- - impressed at his handling of indian culture
6. What is the purpose of the article?
- - to stop prejudice
- - to analyze the differences of opinion as presented by Silko, Iser, and Womack
- - to review a potential best selling book
- - to present various literary constructs
7. Suppose a popular and much agreed upon paper was recently published in the "Journal of Human Evolution" that claims most of the recent Iniki tribe's economic an cultural problems are due to an over reliance on game animals which have recently dried up as a result of over hunting. Furthermore it is backed up by data of declining game popuations over a 30 year period. How would this affect Vizenor's viewpoints?
- - He would be forced to change his viewpoint
- - His opinions would be more supported
- - This would have no effect on his stance
- - He would need to change the name of Bearheart to something un-animal like
You should do this timed
--------------
Much has been said – and rightfully so – about Gerald Vizenor's attack on terminal creeds. They are, essentially, an intellectual stopping point, the false and arrogant moment when an individual or institution claims that he/she/it fully understands something or someone. Louis Owens describes terminal creeds as "beliefs that seek to fix, to impose static definitions upon the world," adding: "Such attempts are destructive, suicidal, even when the definitions appear to arise out of revered tradition". Terminal creeds damage adherents because they presume nothing more can be learned. Terminal believers limit their own imaginations. According to Vizenor, they exist within the defunct vacuum of their own minds, forever separated from other people, ideas, and the world around them.
Vizenor writes against one-dimensional notions of culture and identity not only because such ideological absolutism is simplistic and destructive, but also, and more importantly, because terminal beliefs divide people from each other and from themselves. In an interview, Vizenor said: "I think [anthropology] separates people. The methodologies of the social sciences separate people from the human spirit. They separate people through word icons, methods that become icons because they're powerful, because they're rewarded by institutions – separate them from a kind of intellectual humanism, an integrity of humanism and the human spirit". One of Vizenor's goals in Bearheart: The Heirship Chronicles is the opposite: he wants to foster a genuine intellectual connection among individuals – a shared intellectuality centered upon the imagination.
Bearheart poses many challenges, and readers risk falling into the easy trap of terminal belief if they fail to recognize not only what Vizenor criticizes in Bearheart, but also what he celebrates, namely, the ability of the imagination to link people together beyond restrictive definitions. Bearheart is an effort to foster freedom (intellectual, spiritual, physical, etc.) and to heal wounds (historical, social, personal, etc.).Vizenor's trickster-like presentation – with its paradoxical blend of tragedy, satire, comedy, and pathos – compels readers to use their imaginations to interpret, challenge, and redefine conventional ways of thinking. Readers must struggle through an intentionally difficult novel that allows them to re-imagine the world and themselves. The process necessarily cultivates "an integrity of humanism and the human spirit," to use Vizenor's phrasing. The interpretive struggle heightens personal intellectuality and spirituality, which, according to Vizenor, has the power to bring people together.
This paradox – communal connection via intellectual individuality – is at the core of Vizenor's message. The fictional world of Bearheart – which is to say, the modern world that we occupy – is broken, not just economically and materially, but imaginatively, a far more dangerous problem. Vizenor hopes to repair it by linking people together again, not necessarily within a "single clan," as Silko does in her performative novel Ceremony, but within a community of active readers and thinkers.
Some of Vizenor's strategies are quite straight-forward. His fictional author, Bearheart, addresses readers directly – even intimately – in the introductory Letter to the Reader, creating an immediate connection between narrator and audience that helps to break down the barrier separating and isolating individuals. Bearheart invites readers into his private reflections regarding a personal story that, nevertheless, has larger communal and global applications.
Nonetheless, Bearheart is elusive, to say the least. He teases readers with information, forcing them to fill in the gaps to make sense of the emerging narrative. This narrative technique serves a larger purpose. Reader response critic, Wolfgang Iser – whom Vizenor quotes in the headnotes of Narrative Chance – argues that modern texts, which are often fragmented and enigmatic, "make us aware of the nature of our own capacity for providing links". As readers, we must complete the text; the end-result is an intellectual collaboration. Iser states that the literary text "is something like an arena in which reader and author participate in a game of the imagination". Vizenor takes this "game of imagination" to its logical extreme, pushing readers to be more active and creative in the reading process. Their imaginative output necessarily designates readers as partners in the creation of meaning. Not only are they constantly forced beyond terminal creeds, but their collaboration posits the imagination as a shared site of intellectual rebellion and freedom.
Readers must struggle through a demanding novel that very purposefully challenges them to re-create the world and themselves. Vizenor has stated as much about Native texts: "If it's written by a tribal person about tribal experience, it shouldn't be so easily accessible to bourgeois consciousness". Vizenor offers no easy answers or simple platitudes. Rather, he creates sometimes bizarre and often contradictory stories that defy most stereotypes. Craig Womack describes "Vizenor's famously difficult style; its impenetrability, abstraction, theoretical jargon, puzzling contradictions. Parsing Vizenor's prose and coming up with a reasonable explanation is a formidable task". Vizenor forces readers to untangle complex theories and philosophies, and he complicates their efforts on purpose. In an interview, he states: "I choose words intentionally because they have established multiple symbolic meanings, and sometimes I put them in place so that they're in contradiction, so that you can read it several ways. You can read it just for its surface trace and definition – lexical definition – or you can change the definition in this one and leave that one the same and there's contention or agreement". Vizenor intensifies the interpretative process by forcing flexibility from the reader.
Coulombe, Joseph L.. Reading Native American Literature. Taylor & Francis, 2011.
1. How would the author describe an indian tribe?
- - forever shfting like water in a river that can not be easily mastered or understood
- - similar to indigienous subcontinent Indians
- - mostly similar except for a few intellectual differences
- - beyond bourgeois consciousness
2. Bearheart is most likely?
- - a premed who spends too much time trolling on SDN
- - a modern day Indian chief
- - an indian author
- - a professor of anthropology
3. Two people read Bearheart and come to two competing conclusions about the book. This is most likely due to
- - a difference of lexical definitions
- - a conflict in stereotypes exploited by the author
- - the inability of the author to clearly state his intentions
- - the successful display of art over journalism
4. It can be inferred from the reading that the world of Bearheart most likely refers to:
I. the time of an old Indian clan
II. the 2010's
III. Indians during the creed wars of the 1700s
- - I only
- - III only
- - I and II
- - I, II, and III
5. As hinted by the passage, how would does the author feel about Vizenor?
- - perplexed at his writing style
- - mildy amused at the challenges he has for readers
- - euphoric
- - impressed at his handling of indian culture
6. What is the purpose of the article?
- - to stop prejudice
- - to analyze the differences of opinion as presented by Silko, Iser, and Womack
- - to review a potential best selling book
- - to present various literary constructs
7. Suppose a popular and much agreed upon paper was recently published in the "Journal of Human Evolution" that claims most of the recent Iniki tribe's economic an cultural problems are due to an over reliance on game animals which have recently dried up as a result of over hunting. Furthermore it is backed up by data of declining game popuations over a 30 year period. How would this affect Vizenor's viewpoints?
- - He would be forced to change his viewpoint
- - His opinions would be more supported
- - This would have no effect on his stance
- - He would need to change the name of Bearheart to something un-animal like
You should do this timed
--------------
Much has been said – and rightfully so – about Gerald Vizenor's attack on terminal creeds. They are, essentially, an intellectual stopping point, the false and arrogant moment when an individual or institution claims that he/she/it fully understands something or someone. Louis Owens describes terminal creeds as "beliefs that seek to fix, to impose static definitions upon the world," adding: "Such attempts are destructive, suicidal, even when the definitions appear to arise out of revered tradition". Terminal creeds damage adherents because they presume nothing more can be learned. Terminal believers limit their own imaginations. According to Vizenor, they exist within the defunct vacuum of their own minds, forever separated from other people, ideas, and the world around them.
Vizenor writes against one-dimensional notions of culture and identity not only because such ideological absolutism is simplistic and destructive, but also, and more importantly, because terminal beliefs divide people from each other and from themselves. In an interview, Vizenor said: "I think [anthropology] separates people. The methodologies of the social sciences separate people from the human spirit. They separate people through word icons, methods that become icons because they're powerful, because they're rewarded by institutions – separate them from a kind of intellectual humanism, an integrity of humanism and the human spirit". One of Vizenor's goals in Bearheart: The Heirship Chronicles is the opposite: he wants to foster a genuine intellectual connection among individuals – a shared intellectuality centered upon the imagination.
Bearheart poses many challenges, and readers risk falling into the easy trap of terminal belief if they fail to recognize not only what Vizenor criticizes in Bearheart, but also what he celebrates, namely, the ability of the imagination to link people together beyond restrictive definitions. Bearheart is an effort to foster freedom (intellectual, spiritual, physical, etc.) and to heal wounds (historical, social, personal, etc.).Vizenor's trickster-like presentation – with its paradoxical blend of tragedy, satire, comedy, and pathos – compels readers to use their imaginations to interpret, challenge, and redefine conventional ways of thinking. Readers must struggle through an intentionally difficult novel that allows them to re-imagine the world and themselves. The process necessarily cultivates "an integrity of humanism and the human spirit," to use Vizenor's phrasing. The interpretive struggle heightens personal intellectuality and spirituality, which, according to Vizenor, has the power to bring people together.
This paradox – communal connection via intellectual individuality – is at the core of Vizenor's message. The fictional world of Bearheart – which is to say, the modern world that we occupy – is broken, not just economically and materially, but imaginatively, a far more dangerous problem. Vizenor hopes to repair it by linking people together again, not necessarily within a "single clan," as Silko does in her performative novel Ceremony, but within a community of active readers and thinkers.
Some of Vizenor's strategies are quite straight-forward. His fictional author, Bearheart, addresses readers directly – even intimately – in the introductory Letter to the Reader, creating an immediate connection between narrator and audience that helps to break down the barrier separating and isolating individuals. Bearheart invites readers into his private reflections regarding a personal story that, nevertheless, has larger communal and global applications.
Nonetheless, Bearheart is elusive, to say the least. He teases readers with information, forcing them to fill in the gaps to make sense of the emerging narrative. This narrative technique serves a larger purpose. Reader response critic, Wolfgang Iser – whom Vizenor quotes in the headnotes of Narrative Chance – argues that modern texts, which are often fragmented and enigmatic, "make us aware of the nature of our own capacity for providing links". As readers, we must complete the text; the end-result is an intellectual collaboration. Iser states that the literary text "is something like an arena in which reader and author participate in a game of the imagination". Vizenor takes this "game of imagination" to its logical extreme, pushing readers to be more active and creative in the reading process. Their imaginative output necessarily designates readers as partners in the creation of meaning. Not only are they constantly forced beyond terminal creeds, but their collaboration posits the imagination as a shared site of intellectual rebellion and freedom.
Readers must struggle through a demanding novel that very purposefully challenges them to re-create the world and themselves. Vizenor has stated as much about Native texts: "If it's written by a tribal person about tribal experience, it shouldn't be so easily accessible to bourgeois consciousness". Vizenor offers no easy answers or simple platitudes. Rather, he creates sometimes bizarre and often contradictory stories that defy most stereotypes. Craig Womack describes "Vizenor's famously difficult style; its impenetrability, abstraction, theoretical jargon, puzzling contradictions. Parsing Vizenor's prose and coming up with a reasonable explanation is a formidable task". Vizenor forces readers to untangle complex theories and philosophies, and he complicates their efforts on purpose. In an interview, he states: "I choose words intentionally because they have established multiple symbolic meanings, and sometimes I put them in place so that they're in contradiction, so that you can read it several ways. You can read it just for its surface trace and definition – lexical definition – or you can change the definition in this one and leave that one the same and there's contention or agreement". Vizenor intensifies the interpretative process by forcing flexibility from the reader.
Coulombe, Joseph L.. Reading Native American Literature. Taylor & Francis, 2011.
1. How would the author describe an indian tribe?
- - forever shfting like water in a river that can not be easily mastered or understood
- - similar to indigienous subcontinent Indians
- - mostly similar except for a few intellectual differences
- - beyond bourgeois consciousness
2. Bearheart is most likely?
- - a premed who spends too much time trolling on SDN
- - a modern day Indian chief
- - an indian author
- - a professor of anthropology
3. Two people read Bearheart and come to two competing conclusions about the book. This is most likely due to
- - a difference of lexical definitions
- - a conflict in stereotypes exploited by the author
- - the inability of the author to clearly state his intentions
- - the successful display of art over journalism
4. It can be inferred from the reading that the world of Bearheart most likely refers to:
I. the time of an old Indian clan
II. the 2010's
III. Indians during the creed wars of the 1700s
- - I only
- - III only
- - I and II
- - I, II, and III
5. As hinted by the passage, how would does the author feel about Vizenor?
- - perplexed at his writing style
- - mildy amused at the challenges he has for readers
- - euphoric
- - impressed at his handling of indian culture
6. What is the purpose of the article?
- - to stop prejudice
- - to analyze the differences of opinion as presented by Silko, Iser, and Womack
- - to review a potential best selling book
- - to present various literary constructs
7. Suppose a popular and much agreed upon paper was recently published in the "Journal of Human Evolution" that claims most of the recent Iniki tribe's economic an cultural problems are due to an over reliance on game animals which have recently dried up as a result of over hunting. Furthermore it is backed up by data of declining game popuations over a 30 year period. How would this affect Vizenor's viewpoints?
- - He would be forced to change his viewpoint
- - His opinions would be more supported
- - This would have no effect on his stance
- - He would need to change the name of Bearheart to something un-animal like
I've done a little bit of bio, but not as much as I would have liked
I'm sorry I haven't been able to write a passage yet, don't worry guys I still plan to as soon as I can 🙂
Much has been said and rightfully so about Gerald Vizenors attack on terminal creeds....
so... would you say I have a gift of being able to find the worst crap ever to read? LolTL;DR![]()
To any one using TBR books: How did you substitute the expression of genetic information chapter. Its the longest chapter i have EVER had to read in all my years of undergrad 🙁
I am posting this Blanked out but after a few days i'll edit hte message and remove the white color so that it is readable. In order to read it in the meantime, hit control-a or select the text. Fear the smileys....
Man that passage just smacked me around...Those questions were definitely tricky, and I'll have to step up my game next time, but thanks for making the passage!
Yeah Nutty your passage was... 😏 Difficult.....
Hitting the bio passages and verbal passages today. PR Hyperlearning
I'm thinking my chem passage will be something awful... possibly Reaction rates and Thermodynamic vs Kinetic control...![]()
Havent done it yet. I'm skipping around, currently working on the GI tract and kidney chapter. I'll give it a shot tomorrow though. I've heard those are bad chapters anyways so dont feel down. Take a look at how others fare in the Berkeley thread eh?
Yea I feel much more prepared in terms of how to study and what to study. I know I missed 2 questions in PS and 3 questions in BS b/c of lack of content knowledge last time so I am really drilling in everything about everything this time around.
Don't worry too much about your practice scores. The main thing is reviewing the mistakes. Last time, I was more engaged with what my TBR end of chapter scores were than in actually reviewing those questions on a consistent basis and that is one of the reasons I didn't do as well as I wanted to.
Just finished my physics self-assessment test, definitely the hardest out of all the self-assessments (Haven't started Verbal)
Scores are listed:
Biology 80%
G-chem 86%
Ochem 85%
Physics 74%
Ironically my strongest points are Fluids/solids, Electricity/Magnetism and circuits, and my weakest were translational motion and energy. I've decided to get into EK 1001 and brush up on these topics.
Now I'm debating whether to continue Kaplans section tests or to start their full-lengths, decisions decisions...
these are awesome scores!! was this Kaplan material/? I've definitly been finding it very challenging! what did you use to study?
Plan for the day: Biology day, including chap 10 of tbr, some physical sciences problems, then verbal tonight.
Looks like everyone is making good progress and results. 🙂
are you using Sn2's schedule? because i just realized today that chapter 10 of bio isn't on there. i feel like it just skips over it.
It goes by EK Bio chapters and there are only 9.
Step right up, folks! Come one, come all! Fun with chemical kinetics, give it a try! 🙂
GOOD LUCK
Passage 2
Researchers are working to elucidate the mechanism of the common reaction:
A + 2C + E ------> F + G ( ΔH = -227 kJ/mol at Standard Temperature and Pressure)
A 3-step mechanism for the reaction has recently been proposed. According to this hypothesis, the reaction involves key intermediates B and D, and includes a rapid initiation step whereby 2 molecules of reactant A reversibly form 1 molecule of activated intermediate B. The proposed mechanism is shown below in Figure 1.
Step 1: 2A <=(forward k1 , backwards k-1)=> B - **fast, reversible**
Step 2: B + 2 C -----------k2---------------------> A + D
Step 3: D + E ------------k3----------------------> F + G
^Figure 1^
A researcher on the team decides to test this mechanism by the method of initial rates. The concentrations of reactants A, C, and E are varied and the rate of formation of product G is determined during the course of the first second of the reaction. The experimental data are provided below (figure 2).
Exp. . . .[A]. . . . . . . [C]. . . . . . . . [E]. . . . . . .initial rate (M/s)
1...........0.1M...........0.1M..........0M................x
2..........0.1M............0.1M........0.05M........1.0*10^-4
3..........01.M...........0.1M.........0.1M..........1.0*10^-4
4..........0.1M...........0.05M.......0.2M..........2.5*10^-5
5..........0.2M...........0.05M.......0.05M.......5.0*10^-5
^Figure 2^
A second researcher on the team draws an Energy diagram as shown in Figure 3 for an unrelated pair of similar reactions involving Reactant "R", abbreviated as follows:
R -----> P
R -----> P*
Both reactions are known to be exothermic and exergonic at STP.
Figure 3 - see attached image
View attachment 22480
Questions
1. According to the balanced overall reaction in figure 1, what can be inferred about the entropy of reaction and the Gibbs free energy of reaction at temperature T?
A. ΔS < 0 , ΔG < 0
B. ΔS < 0 , ΔG cannot be determined
C. ΔS > 0 , ΔG < 0
D. ΔS > 0 , ΔG > 0
2. The research team has evidence that step #2 in the proposed mechanism shown in Figure 1 is the slow step. What is the correct and experimentally useful rate law suggested by this mechanism?
A. Rate = k2/k-1 * [A]^2 * [C]^2
B. Rate = k2 * [C]^2
C. Rate = k1k2/k-1 * [A]^2 * [C]^2
D. Rate = k1k2k3 * [A]^2 * [C]^2 * [E]
3. What is the experimental rate law the team derived from the data in figure 2?
A. Rate = k * [A][C]
B. Rate = k * [A] * [C]^2
C. Rate = k * [A]^2 * [C]^2
D. Rate = k * [A] * [C] * [E]
4. In the data in figure 2, experiment 1, what is most likely the measured rate of formation of G (what is the value of "x" )?
A. 0 M/s
B. 1.0*10^-4 M/s
C. 2.5*10^-5 M/s
D. Cannot be determined
5. What is the correct value of k in the experimental rate law from Figure 2?
A. 10^-2 M/s
B. 10^-2 M^-2
C. 10^-1 M/s
D. 10^-1 M^-2
6. In Figure 3, what could be a method for favoring the formation of P* over P?
A. The use of a catalyst to lower the activation energy
B. Changing the energy of the reactants
C. Increasing the temperature of the reaction
D. Decreasing the temperature of the reaction
7. What is true about the reactions indicated in Figure 3?
A. P* is thermodynamically favored and Δ(ΔG) is negative.
B. P is thermodynamically favored and Δ(ΔG) is positive.
C. P is thermodynamically favored and the sign of Δ(ΔG) has not been defined.
D. P* is thermodynamically favored and Δ(ΔG) is positive.
Pretty behind and feeling pretty burnt out. 🙁
Content review is going well but I haven't been able to do passages in a couple days, don't even mention verbal passages.
Also making some pretty big academic decisions, just what I need, more stress...
Hope everyone else is doing well.![]()
Wow, this sounds just like my situation. Push through it, entering home stretch soon.
Now that's just scary...
Pretty behind and feeling pretty burnt out. 🙁
Content review is going well but I haven't been able to do passages in a couple days, don't even mention verbal passages.
Also making some pretty big academic decisions, just what I need, more stress...
Hope everyone else is doing well.![]()
Pretty behind and feeling pretty burnt out. 🙁
Content review is going well but I haven't been able to do passages in a couple days, don't even mention verbal passages.
Also making some pretty big academic decisions, just what I need, more stress...
Hope everyone else is doing well.![]()
Hey i got really down on myself just now...ugh...how did you all fair on TBR bio passages of the expression of genetic info chapter ? I just got....destroyed...🙁🙁🙁🙁