The above is pretty much spot on.
The wild card with this gig is how much those call stipends add up to. For me to seriously consider this gig, the call stipends would have to approach 75K + per year.
That segways into the next caveat with any production/unit based pay scheme: scheduling.
How is the schedule made and who makes it?
Do the new guys get stuck with the podiatry lineup doin' toe amps on sick patients while the old-timers do the joints and spines churning out units - or is it fair?
Is call equally distributed? Is it easy to pick up extra shifts?
Are you gonna have a lot of down time/gaps where you're stuck in the hospital but not generating units?
My first gig had a unit value not much better than $30. On the plus side though was that hours were good and the schedule was super flexible. (notice it's not my current gig though
😉 )
LA proper is a f***ing disaster for a great many reasons - the overwhelming majority of which have nothing to do with anesthesia.
The bottom line is that there is no shortage of people who want to live in SoCal. Any good anesthesia gig in the area ain't gonna be advertising 'cuz they don't have to. If you don't already have an inside track to a premier SoCal gig, you're pretty much SOL and gonna be stuck fighting for the AMC scraps like this job.
PS:
@Peterluger , how is it that you seem to know so much about foreign policy/international politics but so little about the business of anesthesia??
😵