- Joined
- Jul 24, 2004
- Messages
- 4,703
- Reaction score
- 2
Piano lessons were a source of considerable trauma for me (they just made me feel stupid) - to the point that when I did end them, I did not touch any instrument or listen to any classical music for years. I made it through most of the exams, but it wasn't something that I felt made enough of a change in my life to say, write about in my Path personal statement 😉
In the last couple of years though, I've been gingerly approaching the Beast again (cue vague Agatha Christie reference).
Plus plus plus, my research supervisor is president of a local chamber music society and very liberal with his tickets.
There is something about live chamber music - it is personal, and very different from a full orchestra.
Schubert's "Death and the Maiden" is a recent favourite. And Pachelbel's Canon in D I loved from the first time I heard it live.
(As you can see, I can't tell Opus/Numbers - nor remember singers/songtitles - to save my life.)
I like that story about the Gotterdammerung. I've always been a horrific sight-reader (six flats and five sharps, oh me oh my) so for my part it's not difficult to perceive Saint-Saen's genius.
In the last couple of years though, I've been gingerly approaching the Beast again (cue vague Agatha Christie reference).
Plus plus plus, my research supervisor is president of a local chamber music society and very liberal with his tickets.
There is something about live chamber music - it is personal, and very different from a full orchestra.
Schubert's "Death and the Maiden" is a recent favourite. And Pachelbel's Canon in D I loved from the first time I heard it live.
(As you can see, I can't tell Opus/Numbers - nor remember singers/songtitles - to save my life.)
I like that story about the Gotterdammerung. I've always been a horrific sight-reader (six flats and five sharps, oh me oh my) so for my part it's not difficult to perceive Saint-Saen's genius.